Wednesday, March 1, 2017

Hail and Well Met

Some thunderstorms and the occasional stray tornado blew through our area last night. Luckily the damage found nearby was minimal --only a few downed wires and flash floods-- but the lightning and wind woke me up at around 1:30 AM. I rolled over and eventually went back to sleep, but in that half-awake state I mumbled to myself that "at least I didn't have to worry about this crap on Taris."

Hail this size you won't find in a steaming jungle with toxic swamps.

Which actually was a pretty good point.

Well, outside of the fact that I'm not so sure I'd want to fight Rakghouls and thunderstorms at the same time: "Rak-nado! Coming to the SyFy Channel in 2018!"

Weather has always been a tricky thing in MMOs. The classic single world MMO, such as WoW or LOTRO, could have weather easily integrated into it, but the multiple world MMO (such as SWTOR and to a minor extent Wildstar*) weather takes a back seat to an individual world's atmosphere. Think of it this way: while you can spend a lot of time --gamewise-- in a WoW zone or an entire continent (think Northrend, for example), your average time spent on a small slice of a planet in SWTOR is comparatively small.

But even on games such as WoW, region shaking weather such as a monsoon or a hurricane or even thunderstorms is a very rare event.

The only pure weather event that I can think of that I see with (somewhat) regularity is the numbing and visibility killing fog that emanates out of Forochel in Middle-earth. I've seen that fog creep all the way down to Evendim** from time to time, which causes massive visibility issues for a game that tends to rely upon old-style line of sight for figuring out where the maguffin you're supposed to find is located. But rain and snow in LOTRO aren't that big of a deal, just like how they are in WoW.

From and
When it is nighttime, that fog is really creepy.

In fact, I'd argue that the only big "weather" event for WoW was back in Cataclysm, when Deathwing would randomly blast an area with his dragonfire in a "hellfire and damnation" souped-up version of a global/raid/world boss.

My "Stood in the Fire" achievement came in the
Blasted Lands after a 5-man run, but I unfortunately never
took a screenshot. This was from

The big problem with a huge weather event is that it would require more than just "oh look, rain" on screen. You need to implement a form of phasing, where you have trees losing branches and rain (or snow or hail) bouncing off of houses and other "background" items. And for all of that effort, you'd expect the devs to put in a few quests as well. I mean, why go to all that extra work just for a background effect when people are clamoring for raids, instances, and questlines? I can see where at the height of WoW the devs there could tinker with that sort of thing, but the age of the 10 million subscriber MMO seems to have passed, taking with it the budget necessary for such side projects.

In the end, I guess that MMOs will continue to do what they have, and have a region with "rain" or "snow flurries" which turns on and off from time to time. It's a shame, really, because no matter how MMOs add and modify regions, without the impact of weather --and severe weather-- the world will feel static after a while.

Without having to worry about dodging downed tree branches.

*For those not aware, in Wildstar some of the zones are actually on moons of Nexus.

**Unless that's a bug, but hey, I don't mind bugs like that.

Wednesday, February 22, 2017

In Memoriam: Loren K. Wiseman

One of the RPG design greats, Loren K. Wiseman, passed away on February 15th.

No, Loren isn't the household name that Gary Gygax was, but he was a very influential RPG designer in his own right. He was a co-founder of Games Design Workshop (GDW), and a co-creator of the SF RPG Traveller. Later, he was a designer on the Steve Jackson Games' interpretation of the Traveller universe, GURPS Traveller.

This is a decade old fan made video promoting
the Traveller RPG. It uses the Pirates of 
the Caribbean theme to great effect.

I've never had the chance to play classic Traveller, but I've designed a campaign for the Mongoose Publishing version of Traveller, and have been waiting for some free time to run a campaign with the mini-Reds. Traveller is one of those RPGs that has a reputation, mainly because the character creation process involved your character having a "career" prior to joining your adventures. And yes, Classic Traveller had the possibility that your character would die during the career phase. (Honest!) Later versions of Traveller have done away with that aspect of character creation, but the Mongoose version does retain the possibility that your character suffers an injury that generates minuses on your character sheet.

As for GDW, it was a very influential wargame publisher and competitor to Avalon Hill and SPI in the late 70s and 80s. I've played a game or two of GDW's arguably most well known title, A House Divided*, and it is a good introduction into the overall strategies that went into the ACW. It is by no means a very deep or "authentic" game --you'll likely want to look at GMT Games' For The People for that-- but it is a fun game that can still be found today.

This is the version I'm most familiar with.
From Rick Byrens, via
Loren was active on the Steve Jackson Games' forums, where I conversed with him once or twice. He always seemed like a nice guy who simply loved making games.

He'll be missed.

*It's a grand strategy game of the American Civil War, now published by Mayfair Games.

Monday, February 13, 2017

A Cloud of Doom Following Me

On certain MMOs, such as LOTRO or SWTOR, you have a feel for what is going to come. In SWTOR, the more class stories you play, the more you find recurring NPCs. It feels distinctly weird when you know the ultimate fate of those NPCs when you encounter them on another class story, like Ianna Cel on Taris. For those who have played mainly Republic toons, Ianna does make an appearance in an Imperial class story.*

I've occasionally wondered whether her students have
questioned her ethics in pursuit of her goals.

Star Trek Online had a mid-teens questline where a Federation toon has to go back in time to save an outpost from an attack from "ghosts" (it's a Next Gen baddie), and you encounter McCoy and Scotty on the outpost. It feels, well, weird seeing them in their TOS uniforms, knowing how things work out for them in the movies and in the Next Gen television series.
Bones was on the station a year prior to joining
Kirk and the rest of the Enterprise crew.

In WoW, you get that feeling of impending doom the most when the Bronze Dragonflight drafts you into correcting the timeline, most notably in the 5-man instances and raids from the BC and Wrath expansions. My personal favorite is the Culling of Stratholme, because you get the long intro grounding the WC3 era instance with the current Wrath timeline. And for those of us who have never played any of the Warcraft RTS games, it's quite the revelation. Sure, we knew that Arthas became the Lich King, because reasons, but it's a surprise that he made the leap from "infected grain" to "kill everybody to keep the Scourge of Undeath from spreading". It's the equivalent of saying "there's an ebola outbreak in Orlando, Florida, so let's nuke the entire city just to make sure we've got it contained."

This is the part that everybody skips, so I
thought it a good idea to post this YouTube
clip for reference. (Berial92 posted it.)

But LOTRO has the dubious distinction of having the overall plot known to tens of millions of people throughout the world, and millions of those people know a ton of minute detail about Middle-earth. And no matter what you try, you know how things will work out in the end.

Take the Dunlendings, for example.

You spend the second part of the Grey Company Epic Questline in Enedwaith, trying to assess the threat of the Dunlendings and attempting to get them to resist Saruman.** But the thing is, people who have read the appendices in The Return of the King know the ultimate result: Saruman dominates the Dunlendings, and gets them to join with his uruks to attack Rohan.

And when I reached Dunland itself and not only began working the Epic Questline but landed enough LOTRO points to get Rise of Isengard,*** I discovered similar feelings of anguish. I cruised through the Dunland and encountered Prince Theodred, son of King Theoden of Rohan. I wanted to somehow warn him of the impending doom he faced, but I knew that was just not possible. Nor would I have been able to change the future, because LOTRO's writers have done a good job of making an impeding train wreck seem avoidable, even plausible, until in-game reality kicks you in the pants.
Grimbold, about the night your liege goes back
in time....Oh wait, wrong franchise.

Makes me wonder how Cassandra must have felt.****

*I'd kind of like to have seen Thana Vesh in a Republic class story, but no such luck. She's an NPC who pretty much dominates every conversation that she's involved with.

**The first part of the questline is simply "getting the band back together" before they head off in response to Aragorn's Galadriel's summons.

***I've discovered that one way of racking up LOTRO points is to work on alts. And since I now have 8 slots courtesy of a premium account I can collect LOTRO points a lot more quickly. (The number 8 came from 7 slots for premium account, which is like the SWTOR mid-tier in that you have to have purchased coins/points/whatever using money, and 1 for purchasing that separately from the LOTRO store prior to me spending the money in the first place.)

****From Greek Mythology, she was the daughter of King Priam of Troy who was (in)famous for making prophecies that were never believed, courtesy of a curse Apollo inflicted on her for not succumbing to his advances.

Saturday, February 11, 2017

Finding Value out of Gaming

Rocky: I can't do it.
Adrian: What?
Rocky: I can't beat him.
Adrian: Apollo?
Rocky: Yeah. I've been out there walking around, thinking. I mean, who am I kidding? I ain't even in the guy's league.
Adrian: (sighs) What're we gonna do?
Rocky: I dunno.
Adrian: You worked so hard.
Rocky: Yeah, it don't matter. Because I was nobody before.
Adrian: Don't say that.
Rocky: C'mon, Adrian. It's true. I was nobody. But it don't matter either, y'know? 'Cause I was thinking. It really don't matter if I lose this fight. It really don't matter if this guy opens my head, either. 'Cause all I wanna do is go the distance. Nobody's ever gone the distance with Creed. And if I can go that distance, see, if that bell rings and I'm still standing, I'm gonna know for the first time in my life, see, that I wasn't just another bum from the neighborhood.
--From Rocky (1976). Screenplay by Sylvester Stallone.

As I've occasionally alluded to in past posts, gaming is something I've done since I was a kid. I'm old enough to (barely) remember Pong when it came out, but I grew up in a household that played a lot of classic board and card games.* But at the same time, my parents got caught up in the Satanic Panic of the 80s and threw out our D&D collection right before I finished 8th Grade, and while I was allowed to play video games on our old Texas Instruments home computer, we never had a gaming console.**

And I still never understood the difference between playing Tunnels of Doom on the TI-99/4A and cracking open a Players Handbook and playing a Paladin.

Ooo, a chest!

Oh sure, the video game is pretty much an abstract dungeon crawl, but the dungeons my friends and I made back in the early 80s were pretty similar as well.*** Even Tunnels of Doom had Demons as monsters at the bottom levels of the dungeon, so you can't argue that there wasn't a "Satanic" aspect to the game. The only thing I can think of is that D&D and the other pencil and paper RPGs encouraged imagination, which when coupled to what the Satanic Panic people called "the occult", led to people going down a Dark Path.

Hey, look! An AD&D Players Handbook!!
From Army of Darkness and
"Klaatu... Verata... Mlkhpffphff."
You know, the whole Necronomicon/Evil Book concept.


The reason why I'm bringing this up again is that I've been doing some thinking about what gaming has meant to me over the years.

While it has meant a primary form of physical interaction between people --friends and acquaintances sitting around a table or a television set-- it has also meant something more.

Games as Generational Connections

It's no secret that I've used games to hang around with my kids. The mini-Reds have been indoctrinated into gamer culture from a young age, and they've grown to become gamers themselves. Whereas other families might discuss sports****, we discuss games. Gen Con is an annual pilgrimage. Smash Bros games devolve into frenetic free-for-alls with all the excited screams and boasts that you'd see on a basketball court.

Some of my favorite memories as a father have come from gaming as well, such as the time when I first introduced the mini-Reds to RPGs, using the Savage Worlds system and a pulp setting from Triple Ace Games to give the kids a chance to be their own Indiana Jones. Or the time when my brother-in-law ran a Pathfinder one-shot for me and the mini-Reds, and the youngest mini-Red went off script and did something totally unexpected and stuck her PC's hand in the fire in the center of the room we were exploring.***** Or the times I ran instances with them in SWTOR and LOTRO.

I've no doubt that when my oldest goes off to college I'll use MMOs to keep in touch with her. I can imagine her occasionally logging into SWTOR or LOTRO to just putz around and occasionally group up, just before heading out to dinner or hanging out with friends.

Both are from, and from Field of Dreams.
Go ahead and get a tissue. That scene, where Ray talks with
the ghost of his father, still tears me up.

Games as Emotional Grounding

I may have played sports, but I was no jock.

It may come as a surprise to those who never played competitive or select sports, but there is a hierarchy to those who play team sports. The starters and main subs off the bench get the lion's share of attention, and the rest of the subs are, for all intents and purposes, there to round out a large enough of a squad for practices. Some teams have a byrule of having everybody play at least part of every game, but the competitive/select teams do not; they want to win, not build character.******

However, just because you play sports doesn't mean that you're a jock or a member of jock culture. I was always an outsider on the teams that I played on; I had different interests than most of my teammates, and I never hung around with them outside of practice or games. Perhaps this was best illustrated during the basketball banquet during my 8th Grade: the team was gathered to one side, and everybody had a chair to sit on.... Except me. None were to be seen, so I had to stand.

From all over the internet. Really. I found
at least six links without even trying hard.

And people wondered why I never hung out with the jocks outside of practice and games.

RPGs gave me a chance to feel worthwhile when life stuck me on the low end of the school pecking order. You get the ability to be the hero of your own adventure, working with friends to achieve a goal worthy of an SF&F novel. And for a kid who was head over heels into JRR Tolkien, there wasn't much more than I could want.

CRPGs and MMOs have a similar appeal, where you're the hero of the story, but instead of purely in the mind's eye you can see it up there on the screen. It also allows you to feel like you matter on no small level, and to an insecure kid that can mean a lot.

If there's one thing that I would wish for our community, it is that we open our arms more to embrace the marginalized. It's pretty well known that the gamer community has issues with people who want to shut the door and pretend that games and gamers are an exclusive boys club, behaving like the Puritans once they reached the shores of New England.# RPG companies and gamers have come a long way, but we've got a long way to go.

We're not there yet, but I really love this drawing.

Games as Drama##

Sure, there are your games that are abstract or have a minimal theme --such as Checkers or Go-- but unless the drama involves telling tales about escapades in a game of Poker, there's not much in the way of drama to those games. I don't look at the Euro boardgame Puerto Rico and think that there's a lot of drama in shipping goods as a colonial governor. Still, drama can leak in from player interaction or an epic match ("Dude, remember that time I only had a rook and a king and I STILL beat you?"), but RPGs have drama built into their DNA. CRPGs and MMOs have a story to tell, and you're along for the ride. Want to be Link and save the world (again)? Shepard needs to fight the Reapers and save the galaxy, are you game? I hear the Burning Legion has returned to Azeroth and the Horde/Alliance need heroes; are you up for it?

Even games that are more about the fights and bashing skulls (such as Bayonetta, Gears of War, or God of War) have a story to them. Drama can be interchanged for "plot" at this point, but in an RPG it means more because you want to feel like your choices matter. Non-MMO CRPGs can pull this off more easily because the developers can accommodate different choices in-game, but MMOs have the great advantage of player interaction that a CRPG can't hope to match. A visit to any MMO gamer blog will demonstrate the value of player interactions to an MMO player. Sure, there are people who are present to play the economic game or "win" the raiding/PvP game, but the reason why they play an MMO versus a single player CRPG is because you can hang with and fight alongside your friends (or friends of convenience).

Franchise fans are their own geek subgroup, too.
Hey I could have put Trekkies or Tolkien fans here, but at least
Zelda is CRPG related.  From Pinterest.

The pencil and paper games, RPGs and theme heavy boardgames, have drama as part of their central makeup. The whole point of RPGs is to get friends together and tell a story, whether that is by exploring a dungeon, taking part in an epic quest, or even dealing with eking out a living on the edges of the galaxy. The heavily thematic boardgames, such as Runebound or Fury of Dracula, borrow from RPGs to help the players tell a story while playing the game.

Of course, unintended drama can wreck a game. I've been in guilds that have imploded because of unnecessary drama, D&D groups that blew up because they either got too large or we weren't following the DM's direction to take the game###. And yes, I've been in game groups that had issues where the DM's SO received preferential treatment. It wasn't pleasant.

If you've ever been a DM, you'll appreciate this.
My oldest looked at the last one especially and laughed.
The place where I found this (via Google search) doesn't resolve anymore,
so I've no idea who to attribute it to.
Not everybody likes drama. Hell, look at the complaints about Dragon Age 2 from a story perspective and you see that a certain subset of gamers simply do not like games that emphasized story at (what they thought) was the expense of gameplay, as if it was a zero sum game. My wife still is reluctant to play pencil and paper RPGs because an ex was an obsessive controlling DM, and rightly or wrongly she internally associates "asshat ex-boyfriend" with playing RPGs. Games such as Mario Kart or Settlers of Catan are much more in her wheelhouse, because she prefers to not go too heavily into drama (both good and bad).

But in the end, the bonds you make in a guild or a gaming group can last a lifetime; you fought together, laughed together, goofed around together, and even cried together. Friendships like that are what keep game worlds alive.


Gaming has certainly changed me, given me an anchor, and helped me with my empathy. As a social outcast growing up, gaming was a lifeline to get me to interact with people that I would ordinarily never associate with. I'm still not perfect; I can tend to act like a mother hen to my friends (online and offline) when I should simply just keep my mouth shut and let them deal with their own shit the way they want to####. But gaming has made me more empathetic, more loyal, and more outgoing than I would have been without it. Sure, it's not like my Dad is going to call me up to talk about the latest expac in SWTOR or WoW#####, but when a bunch of my friends get together to play some Smash Bros and boardgames, we've got that same connection.

Okay, enough about me. What about you? What have games and gaming meant to you? How do they define you (if at all)? Do they keep you going, do they inspire you, and do they help you connect with people?

*Rook? Yep. Uncle Wiggly? Played it. Hearts? Of course; I thought I was really good at Hearts until I got to college and would routinely get my ass handed to me by my dorm friends. As for other games that people might not know much about today, Authors springs to mind. I think I still have my card deck of Authors around somewhere; I'll have to keep an eye out for it the next time I clean parts of the basement.

**True story: to get me to work on my free throws for basketball, my dad made me a deal that if I made 10 free throws in a row we would get an Atari 2600 console. I spent the better part of that summer and fall trying for that elusive 10 in a row, because I wanted to spend more than 5 minutes at a time playing Asteroids. After countless tries, one day the next summer I finally reached that goal only to have my dad renege on his promise.

***My very first adventure consisted of the following encounter: "You open the door at the end of the hallway and see 10 RED DRAGONS!!!" Needless to say, this 1st Level Fighter died.

****We still talk about college basketball a bit, but not to the extent that my neighbors talk about sports with their kids, or even I talk about sports with my father.

*****My brother-in-law did what any good DM does, and he improvised. He caused a spectre to arise out of the flaming brazier and attack her, which was a bit of a problem because we were already in a fight with some goblins. My youngest's two siblings stared at her, aghast. "What did you go and do THAT for??!!!" one of them wailed. "I wanted to see what would happen," she replied, nonplussed. (For the record, we did survive, but that was because I was the Cleric. As usual.)

******Sure, if you go to a random select team's website they'll say that they want to build character and sportsmanship, but my experiences say "win first, everything else second".

#It wasn't until I went to college that I was exposed to gamer girls, and I look back on my early days playing D&D with regret that I didn't think of asking any of the girls I knew if they wanted to pay. I'd vowed to not make the same mistake with my kids, and the mini-Reds have all grown up to become gamers in their own right.

##I could have easily called this the "Bioware Section", but they don't have a monopoly on good drama within a game. It only seems they do.

###My current D&D 3.0 game group grew out of one such blowup back in college. The DM had scripted everything --and I do mean everything-- to the point where we felt like we were there just to be "yes men" to his dramatic writing. When any of us wanted to do something offbeat or wanted to follow something not on the script, he blew up. Needless to say, he decided that we weren't worth his time and walked out, and one of us said "Hey, I've been a DM before. I'll take over and we'll start from scratch."

####"Stop being a creeper, Dad." "You're not an amateur psychologist, Red. Shut up." I've heard them plenty of times. At the same time, if somebody needs a hand or wants to talk, I want to be there for them. I remember what it's like to be isolated and not have anyone to talk to.

#####For the record, he calls almost daily during college basketball season. There's always a game going on that provides (you guessed it) drama.

Monday, February 6, 2017

For a Monday Morning

I know that Mondays can drag for a lot of people, so here's some music featuring New Age artist David Arkenstone and his ex-wife Diane.

Yes, it's titled Music Inspired by Middle-earth. The CD that the YouTube video was ripped from was released in 2001, and was unconnected with the release of The Fellowship of the Ring.

Somehow I missed this entirely, so I've been catching up this morning.

Monday, January 30, 2017

Not Terribly Important, but You'd Never Guess It

I've been watching the pageviews on PC the past couple of weeks, and it seems that there's a lot more web scourers out there these days. Almost like clockwork, every few days the pageviews spike and I get an equally distributed number of pageviews across all of PC.

Given that this site is neither particularly large nor well read, this can be somewhat amusing.

The thing that I have noticed the most is that the Russian sources of pageviews has dropped off since the first of the year, and US and (to a lesser extent) Chinese based sources have been scouring the site.

Almost makes me want to turn on the ads for PC, just to see what sort of money I could rack up while these web crawlers are out and about. But knowing my luck, it'll end up being filtered out of the pageviews from Google's perspective.

Wednesday, January 25, 2017

The Land of the Spray Tans

I've now reached that point in LOTRO where I have overshot my in-game zone purchases, but the Epic Questline is current and goes through that area.

Dunland, Dunland, Dunland!
The place where I most want to be!
(Apologies to Monty Python.)

Oh, I've had that happen before --as a free account, that happens rather frequently while I frantically grind enough Turbine LOTRO Points to purchase the next zone-- but I'm now at an intersection between a couple of expacs as well as the main game.

Enedwaith could be purchased by itself and wasn't linked into the Mines of Moria expac at all; it was kind of a bridge zone between the main game and the Rise of Isengard expac. But Dunland itself is not only the main Rise of Isengard zone, it also contains hooks for Riders of Rohan. It feels distinctly weird to have a zone that had an incredibly minimal impact on The Lord of the Rings itself* be such a crossroads for the MMO.

"I'm looking for a place to get a spray tan. Who does yours?"
"I don't need to tell you anything, Duvodiad."
And if Enedwaith is any indicator, the Rise of Isengard expac (and Grey Company Epic Questline) marks a crossroads in the game engine itself. It was released a year after Cataclysm, and like that expac for WoW, it also makes heavy use of phasing in game to push the story along. I also noticed that the questing itself was more streamlined and less old school, which indicates to me that Turbine learned the same lessons that Blizzard did (and implemented in Wrath and Cataclysm), but with the notable exception that they didn't tear down and rebuild the entire Shadows of Angmar "Old World".**

I tried screen capturing the "fading" that I've observed in Enedwaith when I pop out of the crafting hut in Lhanuch to no avail, but if you've been there late in the questline, it's like riding up to the Wrathgate in WoW and seeing things flicker into the proper phase, only on a smaller scale.

Who knew they ate burritos in Dunland?

Enedwaith --and Dunland, to be honest-- feel smaller in physical size compared to other LOTRO areas. The devs seemed to make up for that size issue by cramming in more enemies per square inch, and also making them respawn much more quickly than before.

That said, I enjoyed what I've seen so far of these zones. Turbine had made a smart development choice to make the Dunlendings more nuanced than Tolkien did. In the Tolkien universe, the "uncouth" Dunlendings were lumped into the larger group of Men that would have been called Easterlings in the First Age, and people easily swayed under Morgoth and Sauron.*** But Turbine went a different route, showing that the Dunlendings are far from a monolithic group, and have various levels of trust and suspicion with Saruman. The only unifying part of their culture is their dislike for the Rohirrim, who they feel displaced them from their rightful lands.

I keep wondering whether some of the Dunlendings will make the mental leap from "Saruman lied to us and manipulated us into fighting alongside him" to "what if Saruman is manipulating the Horse Lords as well?" But I suspect that might be beyond their reach, given their longstanding feuds with the Rohirrim.

But until I grind enough LOTRO points****, I'll be running around taking screenshots.

"Got any sunscreen?"
"Really, Duvodiad. Is that all you think about?"
"Have you SEEN my skintone? I burn and peel!"

*Even in the Appendices, whereas Forochel and Angmar had a decent amount of impact in the history of Arnor/Arthedain. The Silmarillion and Unfinished tales focused more on other parts of Eriador than Dunland itself. Like its people, Dunland is pretty much a forgotten zone.

**Yes, I'm aware that Turbine reworked the quests in the older zones to make things more streamlined; I noticed that when I came back to the game after minimal involvement since 2010 or so. That said, Turbine did the smart thing and didn't blow up the entire area, ruining the timeline in the process.

***As opposed to the "noble" Edain, who fought alongside the Elves and from whom eventually sprung the Numenorians/Dunedain and the Rohirrim. The difference between the two groups was simple: Numenorians followed Elros to Numenor at the dawn of the Second Age, and the Rohirrim (as one of the Middle Men) did not.

****Actually, I'm not too far off, so here's hoping.